MISS COLONIA IN LONDON
CONFIDENCES TO HER COUSINS ACROSS THE SEA.
February 1. My Dear Cousins,—Many, many years ago the Great White Queen on one of her first public appearances was shown to her subjects by candle light. During a Royal visit to Leamington, when she was still a child, a great crowd gathered at night outside the Regent Hotel, where the Duchess of Kent and her daughter were staying, and to satisfy the people the Duchess of Kent held the little Princess at the window while Sir John Conroy stood behind with two wax candles.
THE CHAPELLE ARDENTE.
Once again the soft glow of tapers falls on the faces of her subjects, but oh! how changed the scene. The little Princess, having wielded England’s sceptre longer and better than any predecessor, lies at rest in her island home, while her subjects, sorrowful and silent, file slowly by the coffin. From the peaceful death-chamber six stalwart bluejackets bore the Mistress of the Seas to the dining room where Princess Alice was married, now transformed into a Chapelle Ardente with some of the pomp that befits a mighty monarch. The room in which the now closed coffin rests overlooks the terrace, with Whippingham Church half a mile away, set in a charming picture of woods, and meadows, and hills. It is no grisly, gloomy chamber that the late Queen’s tenants and servants, her Osborne visitors, the. officers of her army and navy, the mayors of the island, and the Press representatives have been privileged to enter. On the scarlet dais in the centre of the chamber is the Royal Standard in silk. The coffin rests on the banner, but it cannot be seen, being covered by a- great pall of white satin, on which lie the dead Sovereign’s robes of the Order of the Garter, crimson velvet outside and ermine within. Her crown stands on the head of the coffin, its diamonds flashing in the flood of illumination. Small electric lights line the walls, and in each of the four corners are two candelabras, the tapers in which are artificial, with electric lights. The coffin is flanked by three tall silver candlesticks; at its foot is an altar in front of the French window, which is concealed by rich tapestry. The sacred table is covered with cloth of crimson and gold, on which appears the letters I.H.S. A large Greek cross stands on the table, flanked by candlesticks in which arc lighted tapers, while two other candlesticks rise from the altar steps. Above hangs a sacred picture, and over the mantelpiece opposite is another of Christ and His mother. All round the room arc palms and wreaths of flowers, tokens of love and sorrow. In one corner a silken Union Jack hangs from floor to ceiling, caught with an immense wreath of arums and laurels from the Royal gardens at Frogmore and but with this exception and that of the tapestry the chamber is entirely draped with crimson. But for the black spots on the ermine lining of the Royal cloak there would not be a sombre note in the picture. At each comer of the coffin stand Grenadier Guardsmen, with heads bowed and rifles reversed, while the Queen’s faithful Scotch and Indian personal, attendants and her equerry still continue with her in the hour of death.
THE ROYAL COFFIN.
The body rests in a beautiful shell of cedar wood made at Osborne. Outside this there will be placed a leaden case, hermetically sealed, and the whole will be covered by a panelled oak coffin highly polished. The coffin is being made by a firm in London who have made the coffins of the Kings and Queens and Royal Princes since George I.’s reign. It will exactly follow the lines of the coffin made for the late Duchess of Teck. The furniture is of plain brass, with square handles. There will be eleven panels, three on either side, three above, and one at each end. In the upper of the three panels above will lie an Imperial crown in brass, and under this a recital of Her Majesty’s titles, her age, length of reign, and general escutcheon. The coffin is made to fit the sarcophagus in Frogmore. There, is, I think, a general feeling of relief at the announcement that there is to be no formal lying in state. The funeral is to be simple and stately, and the Queen is to be borne through the Empire’s capital, so that her subjects, through whom she has so often passed amidst acclamation, may do her reverence on her last journey. What a contrast it will be to that magnificent, jubilee pageant, three years ago! Then national rejoicings, now
That legend one reads in all the drapers’ shops. How superfluous the announcement seems, as superfluous as the Lord Chamberlain’s order that, “all persons do put themselves into the deepest mourning. This said mourning to begin upon Monday, the 28th day of this instant January.” All people had already done so as soon as ever they heard the sad news with a. unanimous spontaneity that proved the genuineness of their grief. I saw the mourning for the Duke of Clarence, but that was but a passing slight shadow of black compared to the present aspect of our streets. Everyone, be he lord or laborer, has garbed himself in black. The navvy wraps a black cloth round his neck, the barrister wears a deep band on his hat and a black tie. Even the laundry girl, who loves to garb herself in hues that stagger humanity, has managed to don a black hat and a black bow. We women are attired in black from head to foot, unbroken save perhaps by a touch of white. Look up a crowded street and you will see one long line of unrelieved black on each pavement. I was in a picture gallery to-day, and all the women present were as much in mourning as if each had lost a member of her own family. The very few people who still retain bright color in their hats or consider violent violet or proud purple suitable hues for complimentary mourning are so rare that their bright tints in the midst of the array of black strikes the eye with a shock of incongruity. And yet the effect does not seem so dismal as you would imagine, my dears. Black has a wonderfully refining influence and becomes us all, as you must have often noted in the case of maids and shopgirls. The crowd seems chastened, the vulgarity subdued, the bad taste blotted out, plain women look pretty, pretty women beautiful. A period of national mourning will prove, too, a useful corrective to our growing tendency towards show and garishness. An Englishwoman used to be noted for the simplicity of her costume; last summer you saw her shopping or strolling in lace and lingerie more suitable for the theatre or the ball room than for a simple walking dress. But I mustn’t begin to moralise. That is the sole function of the editor of your ‘Women’s World.’
So far, and remember that I am writing at the beginning of the week, the mourning on our buildings has not yet assumed what I call a grisly shape, in which loyal grief is supposed to be in direct proportion to the extent of gloom that hangs over the shop front. At Windsor, at all events, there is to be no gruesomeness, no sombreness. The way to the altar in St. George’s Chapel will be carpeted with grey drugget, and there will be no sable drapery in the Chapel, hangings of royal purple taking its place. The Queen’s pew is even now draped with purple. It is to be hoped that the Royal example will be followed by the loyal Londoners. There are signs, however, that dismal draperies will be much more in evidence as the week draws to its close. In Fleet street one large furniture shop has already overshadowed itself by two huge sable curtains, caught up with white. Other establishments have hung from their balconies dark black cloth, fringed with white cord. Opposite our house an artistic potter has hung out a black banner bearing a silver crown and “V.” and violet letters” “R.I.P.” In one window the Queen’s portrait bordered by white heathery sprays is lit by two candles, while from the top of the building depends a black canopy, in the centre of which appears a shield with inscription: “We mourn our Queen and Mother.” Most shops content themselves with mourning shutters, a black plank placed perpendicularly in the centre of each window, and with flying the Royal Standard and Union Jack half-mast high, thus introducing a touch of color into the scene. With violets, purple and white, as well as black; available for the decoration of shop windows, you would have expected some simple and yet harmonious effective arrangement of the mourning goods displayed. I made a little tour of the fashionable dressmakers and drapers yesterday, but was disappointed in the lack of system—the absence of any dominant idea scheme in the windows. Black hats and toques and bonnets succeeded each other in unorganised monotony, black gowns and blouses were mixed with white in aimless array: and rolls of black cloth lay side by side with the uniformity of soldiers on parade. Occasionally someone, more enterprising than the rest, festooned the windows with black and white and violet muslin. In this respect the men’s shops made a more effective show than ours. With white shirts, white handkerchiefs, and black ties and scarves they contrived some striking combinations. One man hung alternately long full black scarves and white cambric handkerchiefs, over the top of which fell narrow black ties, such as men tie in bows. Another had arrayed his shirts in rows, with a wide black band diagonally across each shirt.
The florists made little difference in their usual display, giving perhaps more prominence to violets and white flowers than to brighter-colored ones. One Regent street shop displayed a Royal Crown in gold mimosa on a cushion of purple violets. Others showed wreaths of laurels or palms tied with white ribbon. Fuller’s confectionery windows were filled with puffed violet nun’s veiling, in which nestled dark chocolates. A stationer’s was full of black-edged and grey writing paper, and menu cards and ice case’s ornamented with sprays of violets. The hairdressers’ models were robed in black bodices. Everywhere are displayed portraits of the Queen draped in black, and these the people throng to buy. In the way of mourning jewellery there is little to be seen. No one has yet produced a cheap medallion or other memorial of the Queen that can be universally worn as were the buttons of the various generals at the war. The people would eagerly wear a simple, artistic memorial and treasure it in remembrance of their good Queen. One industry has received a strong impetus —that of Whitby jet, the demand for which had much declined. Jet is a fossil substance found in beds of lignite or brown coal, and there are large veins of it near Whitby, which port, in anticipation of a revival of the trade, had stored a large quantity of the best local jet, Many hundred pounds’ worth have already been despatched to London and the big provincial towns. In the jewellers’ windows here you see jet muff chains and hair combs. Whitby jet brooches and French jet waist buckles, jet aigrettes, jet and beaded bags, purses, safety pins and hat pins, jet necklaces and cut jet collarettes, initial safety pin mourning ‘brooches, jet necklets with pendant hearts of jet. Gun metal, too. is being utilised for mourning card cases, studs and sleeve links, and purses. Oxydised brooches of heart’s-ease or four-leaved clover, set with two or three diamonds or pearls, are also fashionable. Diamonds and .pearls, of course, are mourning wear, and the trade in these jewels will not suffer substantially. Those who like those bead necklaces and chains so fashionable now will no doubt be able to get them in amethysts and crystals, such as Miss Cockerell sent Princess Henry of Battenberg. The late Queen herself ordered some of jet and onyx for her own wear, so I daresay a good many people will be seen with similar necklaces in remembrance of her.
It. is at present hard to estimate the effect of the nation’s mourning upon trade in general. For the moment, there has, of course, been widespread loss in many directions, making the blow all the harder after the period of depression caused by the war. Entertainments, banquets, and other public functions have been abandoned. The value of thousands of pounds’ worth of flowers for table decorations has been lost, singers and society entertainers find their vocation for the present gone, and the decision of the managers of the principal theatres to close until after the funeral will cause distress to thousands who at this time of year depend on the pantomimes for their livelihood. Home managers, to prevent their employes being suddenly reduced to starvation, are keeping open their theatres every night save on that of the funeral. It is one thing to keep open a theatre and another to get the people just now to come to be amused, so that in all probability the opening of the theatres will simply mean that the employes, who only get paid for the nights they perform, will benefit at the cost of their managers.
While the drapery establishments for the time being will be largely drawn upon for mourning materials, it is evident that their general business will largely decrease. In the first place, black lasts so much longer than lighter colors, and many little fancy fal-lals that we should purchase for our adornment, at other times will be dispensed with. Again, a large proportion of the middle class still make their old things do for the occasion, and content themselves with cheap black blouses and scarves, and retrim the black hats that have been so fashionable of late.
Although the Court is directed to go into mourning for a whole year it is unlikely that the people will go garbed in solemn suits of black for so long, nor will crape be at all generally worn except by those in close connection with the Court. In all probability, after a couple of months, as the winter draws to a close, (and, en passant, it is evident, that at no other season could the loss caused by the sudden transformation have been less), the black will be relieved by touches of white, and as the summer approaches subdued shades will gradually come, into wear—greys, lavenders, violets, purples. mauves–brightening steadily until Edward VII. and Queen Alexandra establish their Court definitely in the metropolis. The re-establishment of Court gaieties and functions in London in 1902 should lead to a, great revival of trade, that will more than compensate for the present year’s gloom. The King and Queen will appear more often among their subjects, Drawing Rooms will be held at night instead of in the afternoons—in fact, there will be some Court life and brilliancy such as has been practically lacking ever since the Prince, Consort’s death.
Tales of her sympathy and reminiscences of her kindly acts are legion….Prince Albert had just died, and when the bereaved Queen reached Balmoral, a few weeks after his death, she found the blinds of one of her cottages drawn. The master of the home had gone where prince and peasant are equal, and in his cottage the Queen sat with his widow. Together they wept, all earthly distinctions lost in their common sorrow. “I cried and the Queen cried,” said the cottager; “and when I begged her to pardon me for crying so bitterly, she said to me: ‘I am so glad to have someone to cry with who knows just how I feel.'”
And how are we to keep her memory green in our hearts? Someone suggests that we should retain her portrait on some of her stamps, another that we should ever improve the morality of the nation, and follow the example set us by her own virtuous We; a third— that we should have an annual holiday, a “Victoria Day,” in her memory. May 24 here is not celebrated as a public holiday, and, it is said, is too close to the Whitsun festival. In the colonies, however. “Queen’s Birthday” has become an institution, and will surely remain so in remembrance of one who at all events to all of us out of our teens, will always be referred to as the Queen.
Evening Star 11 March 1901: p. 2
Mrs Daffodil’s Aide-memoire: To-day [2 February 1901] is the anniversary of the State Funeral for Queen Victoria, held in St. George’s Chapel, Windsor. The letter above was written by a New Zealand correspondent resident in London and gives an evocative look at mourning in the Capital for the beloved Queen. The descriptions of shop windows and florist displays are particularly interesting, describing as they do, the long-lost ephemera of national mourning. While no doubt the window-dresser at Fuller’s confectionery had the best of intentions, Mrs Daffodil must challenge the assumption that dark chocolates are suitable for mourning.
Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes
You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.
Chris Woodyard is the author of The Victorian Book of the Dead, The Ghost Wore Black, The Headless Horror, The Face in the Window, and the 7-volume Haunted Ohio series. She is also the chronicler of the adventures of that amiable murderess Mrs Daffodil in A Spot of Bother: Four Macabre Tales. The books are available in paperback and for Kindle. Indexes and fact sheets for all of these books may be found by searching hauntedohiobooks.com. Join her on FB at Haunted Ohio by Chris Woodyard or The Victorian Book of the Dead. And visit her newest blog The Victorian Book of the Dead.